Loft

Tutorials/Make and review the work

Direct production with the Assistant

The Assistant is how you direct work in Loft: say what you want in plain language, and it picks the model, uses the right references, and files the result on the shot. The project's and the shot's playbooks hold the intent, so a short request is enough. This tutorial follows one shot from keyframe to video, with a correction and a character reference on the way.

Follow along

Step by step

STEP 01

A project in production

Undertow is a short in production: shots, characters, and a keyframe for each shot. Everything in this tutorial is done by asking the Assistant, the way a director works with a crew.

A project in production
STEP 02

The project playbook

The Project Playbook is the house style the Assistant reads before every request: the look, the cast, which model to use for what. Write it once, and you never have to repeat it.

The project playbook
STEP 03

Open a shot

Open the shot to work on: SH020-Drowned-Nave. Its keyframe is already published.

Open a shot
STEP 04

The shot's playbook

Each shot has a playbook too: resolution, aspect ratio, and what happens in the shot. This is the intent. When you say this shot, this is what the Assistant works from.

The shot's playbook
STEP 05

Open the Assistant

Click Assistant. It knows which project and shot you're on, and which files you have selected.

Open the Assistant
STEP 06

Ask for a change

Select the keyframe and say what to change. Using the selected image as a canvas means: edit this frame, don't start over.

Ask for a change
STEP 07

It picks the model

The Assistant chose Nano Banana Pro Edit, because the playbook says so, and says what it kept locked.

It picks the model
STEP 08

The result lands on the shot

The new image is filed on the shot, next to the keyframe. No downloads, no renaming.

The result lands on the shot
STEP 09

Correct it in a sentence

Not quite right? Say so. The Assistant remembers what you asked for, so a correction can be one line.

Correct it in a sentence
STEP 10

Another take

The corrected take lands on top. Every take stays, so you can go back to any of them.

Another take
STEP 11

Bring in the cast by name

Ines is in this shot's cast, so name her and the Assistant uses her published reference from the Characters library. She looks the same in every shot.

Bring in the cast by name
STEP 12

Ines in the nave

Ines is placed in the frame from her reference, and nothing else has moved.

Ines in the nave
STEP 13

Describe what's there

Ask for a description and it's written onto the file, where search and the rest of the team can find it.

Describe what's there
STEP 14

A video for this shot

Now ask for a video for this shot. The selected frame is the first frame; the camera move comes from the shot's playbook, and the model from the project's.

A video for this shot
STEP 15

The shot moves

A few minutes later the video lands on the shot like everything else.

The shot moves
STEP 16

Every take keeps its intent

Select the video and click View generation flow. The prompt the Assistant wrote is on file, with the model and the frame it started from. Anyone can see how it was made, or rework it.

Every take keeps its intent